III Middle English: Excluding Chaucer

III Middle English: Excluding Chaucer

Source :

• The Year's Work in English Studies [ 0084-4144 ] ; 2004.

English descriptors

• Entity :
  • org : Black American Popular Culture, Cambridge University, Durham University, Egypt Gap, Ireland and Brittany, Ireland and the Irish, National Library of Wales, National Library of Wales MS, National Library of Wales, Aberystwyth, Sweden, Julian of Norwich.
  • pers : A. Zettersten, A.G. Rigg, A.G. Watson, A.I. Doyle, A.S.G. Edwards, Ackerman, Add, Adrian C. Baybrook, Alexandra Barratt, Alexandra F. Johnston, Alice Sheppard, Alistair McCleery, Alixe Bovey, An Anthology, An Emendation, An Index, Andrew Breeze, Andrew Galloway, Ann Marie, Ann Matter, Annie Sutherland, Anthony Martin, Armando Garcia, Arundel, B. Diensberg, Barry Collet, Batt, Bella Millett, Birgitta, Blamires, Bradley Warren, Bridget, Bryan P. Davis, C. Annette, C. Clifford, Caligula, Carole Weinberg, Caroline Walker, Catherine Batt, Catherine Raffi-Meroud, Charles Nicol, Cheryl Taylor, Christine Chism, Christine Herold, Christopher Baswell, Christopher J. Howe, Christopher Warner, Chronicles, Claire Sponsler, Clifford Davidson, Corinne Saunders, Costomiris, Cotton Nero, Cynthia Kosso, Daniel Donoghue, Daniel Huws, Daniel W. Mosser, David Matthews, David Mills, David Salter, David Staines, Derek Brewer, Diane Krantz, Diane Watt, Didactic, Donna Crawford, Douce, Doyle, Dragstra, Duncan Robertson, Durkin, Dyan Elliot, E. Gordon, Egerton, Elaine Barber, Eleanor Fettyplace, Elizabeth Archibald, Elizabeth Baldwin, Elizabeth C. Parker, Elizabeth Parker, Elizabeth Ruth, Elizabeth Scala, Elizabeth Woodville, Enders, England, English, Eric Stanley, Eve Sedgwick, Evelyn Birge, F. Vaughan, Ff, Francisco Alonso-Almeida, Frederic Madden, Frederick A. de Armas, Gabriela Initchi, Galloway, Gary W. Shawver, Genesis, George Plumpton, Gg, Gilbert de Hollandia, Glyn, God Appear, H. Ogden, Hanna, Harley, Hassel, Heather Worthington, Helena Halmari, Henrietta Leyser, Henry Bolingbroke, Herbert Pilch, Hm, Hodges, Holian, Hopkins, J. Lacy, J.A. Tasioulas, J.E. Riches, Jack Fisiak, James Simpson, Jane Burns, Jane Roberts, Jane Tomie, Jennifer Ward, Jenny Rebecca, Jerome Mandel, Jill Averil, Jill Keen, Jocelyn Wogan-Browne, John Bale, John Bowers, John Burrow, John C. Ford, John D. Green, John F. Leyerle, John Foxe, John Frankis, John Horell, John J. Thompson, John Leland, John Leyerle, John Lydgate, John Mandeville, John Metham, John N. King, John Sewale, John Simons, Jonathan Hughes, Jonathan Watson, Joseph Ritson, Judith Butler, Judith Weiss, Julia Boffey, Julian, Julian N. Wasserman, Julie Hassel, Karen Hunter, Katherine Chadderton, Kathleen Ashley, Kathleen Scott, Kelly, Kenneth J. Tiller, Kerry Dearborn, King Arthur, King Horn, King John, Laura Cooner, Lawrence Warner, Layamon, Le, Lerer, Liszka, Liz Herbert, London Franciscan, Love Rewritten, Lucy Perry, Lynda Dennison, Lynn Staley, M. C. Seymour, M. Night, M. Wickham-Crowley, Mandel, Manuscript, Manuscripts, Marcin Krygier, Margaret Kim, Margaret Paston, Margery Baxter, Margery Brews, Marguerite Porete, Marianne Ailes, Marie-Françoise Alamichel, Marion Turner, Mark Stoyle, Mary C. Women, Mary Erler, Mary Magdalen, Matthew Spencer, Max Harris, Medieval England, Mercedes Cabrera-Abreu, Michael A. Faletra, Michael S. Nagy, Michael T. Orr, Miriam Gill, Mystical Marriage, N.R. Ker, Nicholson, Nicole Clifton, Nicolette Zeeman, Noah, O.J. Padel, Olga Burakov, O’Brien, P. Debax, P.J.C. Field, Pamela Sheingorn, Paston, Paul Hardwick, Perry, Peter H. Goodrich, Peter Robinson, Petrus Crescentius, Prendergast, Presentation, Psalms, Queen Guenevere, Queen Guinevere, R. Ker, R. Mooney, R. Wieland, R.F.S. Hamer, Ralph Coppinger, Rebecca Krug, Reginald Pecock, René Girard, Rhiannon Purdie, Richard Altick, Richard Beadle, Richard Brereton, Richard Dance, Richard Fitzralph, Richard Fox, Richard Newhauser, Robert Adams, Robert Costomiris, Robert Hasenfratz, Robert J. Blanch, Robert K. Upchurch, Robert Mannyng, Robert McColl, Robert Mills, Robert Thomas, Robin Hood, Roger Borsa, Roger Dalrymple, Roman Sojourn, Roman War, Roman de Brut, Rosemary Radford, Royal, S. Burgess, Scala, Sebastian I. Sobecki, Selden, Sheryl L. ForsteGrupp, Sir Launcelot, Sirith, Sloane, St, Steffes, Sue Bianco, Sutherland, Tamar Drukker, Taylor, Tennyson, Teresa Walters, Terry Castle, The, Thomas A. Prendergast, Thomas Chestre, Thomas D. Hill, Thomas Favent, Thomas Hoccleve, Thomas J. Harford, Thomas Malory, Thomas Norton, Thomas P. Campbell, Thomas Percy, Thomas R. Liszka, Thomas Usk, Timothy D. O’Brien, Tom Betteridge, Tony Davenport, Trinity College, Tudor Drama, Tudor England, Turville-Petre, V.D. Russell, Virginie Greene, W.R.J. Barron, Walter Hilton, Walter Map, Walter Scott, Walter William, Wayne Glowka, Wickham-Crowley, William Caxton, William Copland, William Thynne, Worthington, X. Barber, X. Klinck, Yuri Fuwa.
  • place : American, Armburgh, Cambridge, Cheshire, Chester, Chicago, Compton, Egypt, Europe, France, Gloucester, Ireland, Jerusalem, Lancaster, Leicester, Limoges, London, MS, Marleburgh, New City, New Medieval, Nice, Norfolk, Northampton, Oxford, Queens, Reading, Rennes, Rome, Roxburgh, Saint Brendan, Saint Michael, Salisbury, Scotland, SoR, Spain, St Andrews, St Anselm, St Bridget, St Erkenwald, St Eustace, St Patrick, St. Erkenwald, Sweden, Thebes, Troyes, Utrecht, Venice, Vladimir, Wales, Worcester, York.
• Teeft :
  • Adambook tradition, Addendum, Additional material, Alliterative, Alliterative morte arthure, Alliterative verse, Amantis, Ample glossing, Ancrene, Ancrene wisse, Annales cambriae, Apocryphal life, Archaic word, Archetypal reading, Archival research, Arthurian, Arthurian bibliography, Arthurian legend, Arthurian literature, Arthurian study, Article focus, Auchinleck manuscript, Autograph verse manuscript, Bastard feudalism, Batt, Benedictine rule, Bibliography, Bodleian, Bodleian library, Book history reader, Book ownership, Book viii, Brief conclusion, British library, Brut, Cambridge university library, Camelot, Caxton, Chaucer, Chevalere assigne, Colour, Colour plate, Comprehensive study, Confessio, Confessio amantis, Contemplative theology, Continental context, Copy distance, Cornish identity, Critical edition, Cronica tripertita, Crosscultural approach, Cultural context, Cultural revolution, Dame ragnell, Darthur, David mill, Defective version, Depiction, Different manuscript, Different way, Domestic violence, Dream vision, Early drama, Early modern british state, Early sixteenth century, Early tudor england, Editorial standard, Eets, Eets edition, English bible, English legendary, English literature, English manuscript, English material, English metrical brut, English poetry, English song, English text, English translation, European literary career, Excitative speech, Extant letter, False caxton, Female monastic life, Female religious, Female spirituality, Fifteenth century, Final tale, Fleeting nature, French text, Further reading, Gawain, Gender, General bibliography, Generous introduction, Genre, Geoffrey, Gesta romanorum, Good deal, Good lord, Good lordship, Gostly menyng, Great mother, Greg walker, Gromer somer joure, Hand imagery, Henry viii, Historia brittonum, Hoccleve, Holkham archive, Holy spirit, Huntington library, Illustrative text, Insular, Insular version, Interest scholar, Isbn, John confessio amantis, John foxe, Julian, Juris lidaka, Katherine group, Kempe, King arthur, Krug, Kyng alisaunder, Late england, Late fourteenth century, Late medieval england, Late medieval europe, Late medieval period, Layamon, Legal practice, Literary production, Literary tradition, Literary treatment, Literate practice, Liturgical drama, Liturgy, Lucy perry, Lydgate, Malory, Malory study, Manuscript, Manuscript context, Margaret paston, Margery, Margery kempe, Marginal gloss, Marion turner, Mary magdalen, Masculine identity, Material support, Material wealth, Mcavoy, Medieval, Medieval audience, Medieval author, Medieval chronicle, Medieval church, Medieval england, Medieval europe, Medieval imagination, Medieval literature, Medieval manuscript, Medieval mystic, Medieval period, Medieval religious literature, Medieval romance, Medieval society, Medieval song, Medieval text, Medieval woman, Medieval writing, Merciless parliament, Middle age, Middle english, Middle english breton, Middle english literature, Middle english lyric, Middle english mystic, Middle english poem, Middle english prose, Middle english romance, Middle english text, Middle english verse, Minor complaint, Monstrous appetite, Monstrous female body, Morte, Morte darthur, Mystical experience, National identity, National library, Nicole clifton, Nineteenth century, Norwich, Norwich lollards, Opening line, Original emphasis, Other medieval urban legend, Overview, Oxford english dictionary, Personal name, Pier, Pier plowman, Plowman, Political context, Popular song, Primary material, Primary source, Print culture, Prophetic history, Punctus elevatus, Reading family, Remaking arthurian tradition, Renaissance english drama, Representative version, Richard fitzralph, Richard translation, Robin hood, Romance, Saint brendan, Salih, Same volume, Sarah salih, Scholar interested, Scribe, Semiotic approach, Seymour, Short bibliography, Significant contribution, Simple question, Social context, Social history, Social order, Spiritual writing, Stanzaic morte arthur, Strange tongue, Strong case, Subject index, Team text, Textual, Textual commentary, Textual note, Textual situation, Thematic concern, Thirteenth century, Thomas hoccleve, Traditional view, Trinity college, Variant, Vernacular, Vernacular spirit, Viii, Visual image, Walter hilton, Welsh manuscript, West briton, William copland, Wisse, Woman reader, Yong suster, Ywes.

Abstract

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